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Some critical commentary:
"Holy shit. This album is intense. Ixe2x80x99ve listened several times over, and find several things about it fascinating. Compositionally, it packs a lot into a short amount of time. As a complete experience from start to finish, xe2x80x9cCivil Warxe2x80x9d is remarkably well constructed and compelling. Itxe2x80x99s sonically deep and detailed, compositionally varied and skillful. Out loud, itxe2x80x99s a burnerxe2x80xa6 on headphones, itxe2x80x99s a world to sink into and admire the projectxe2x80x99s instigator Arvo Zyloxe2x80x99s studio mastery."
-Vital Weekly (Howard Stelzer)
" BLOOD RHYTHMS is just downright scary. Knowing these sounds lurk within those around us could be even more frightening. Is this a completely rearranged creativity or is there a direct connection to an unknown world, dark and foreboding by the carefree standards of today's society? ... The unknown reasons these sounds were made, clearly has purpose and tremendous significance. ...The first two tracks on CIVIL WAR are some of the most disturbing sounds ever heard. If a paranormal investigation produced these recordings, the ensuing fear of an alternate reality or after life would cause growing mass panic. At some point... ...the question needs to be asked... is this just a group of artists being extremely dark and creative, or is this just straight channeling from an ethereal existence? "
-Ken Lower/Lost In A Sea of Sound
"This caught me by surprise xe2x80x93 itxe2x80x99s an album that, while it grabs you by the scruff and shakes you about, is also enterprising in that it doesnxe2x80x99t deny itself the chance to veer away from strict noise parameters."
-1208 North Fuller Ave Apt 1
"This was a bit too violent"
-excerpted rejection letter from unnamed European review site
Press Info:
BLOOD RHYTHMS is an ongoing and constantly morphing collective spearheaded by veteran experimental artist and Chicago native Arvo Zylo. The unit's new LP, CIVIL WAR began its conceptual impetus before its vinyl debut, 2014's ASSEMBLY, which was a layered whale song / locomotive stomp of brass & wind instruments recorded in a meat locker, released in collaboration with RRRECORDS. In 2010, after a few years of makeshift group performances delivering noisy, loop-based industrial drones as a brass ensemble, and inevitably growing to incorporate a series of damaged synth/junk metal outings, the group's official debut was met with live accompaniment from legendary Chicago avant/industrial/gospel giants ONO. With that, the very beginnings of BLOOD RHYTHMS' new LP, CIVIL WAR, were set into motion.
From 2010 to 2016, Zylo exhibited either with BLOOD RHYTHMS or solo, at noise fests, radio stations, or various venues around the country, themes which evolved exponentially. Some of these pieces have been performed live close to fifty times, occasionally with as many as four drummers and a five piece brass section. Words like xe2x80x9ccatharticxe2x80x9d and xe2x80x9cintensexe2x80x9d were regularly used to describe the often blisteringly loud affairs-- with contact mic'ed heartbeats, aluminum mic'ed masks, sheet metal, belt sanders, amplified packing tape, and visceral, feedback-laden howls. CIVIL WAR is a studio culmination of nearly ten years of ongoing work; A synthesis of Zylo's main focus, and what has come to be referred to by some as outsider power electronics. The result is something that retains the meticulousness, nuance, and visionary drive of a reclusive studio rat, but without relinquishing the rawness and fortitude of a full group sonic assault.
CIVIL WAR features contributions from Bruce Lamont (Yakuza, Bloodiest, Corrections House), Mike Weis (Zelienople, Kwaidan), Wyatt Howland (Skin Graft, Blackfire, Nevari Butchers), B. Zimimay (T.O.M.B., Dreadlords), Dave Phillips (Schimpfluch Gruppe, Fear of God), Michael Krause (Death Factory), Daniel Burke (Illusion of Safety), and Richard Syska (Secret Means of Escape, Dummy Antenna). It comes on 180 gram vinyl, and there are standard editions in black, or special editions both with opaque red vinyl or metallic silver ripple vinyl. It is housed in a thick gatefold jacket with a full varnish finish, and comes special editions come with a 44 page art booklet which includes collaborative contributions from collage artist Bradley Kokay, and rogue taxidermist Sarina Brewer. Recorded mainly (initially) at Minbal, Chicago by Brian Sulpizio (Health & Beauty), and mastered by James Plotkin (Khanate, Khlyst, NAMANAX). Seven tracks, 38 minutes. Track A3 not for airplay. Edition of 500 copies: 350 black vinyl (180g), 100 opaque red vinyl (180g), 50 silver ripple vinyl (140g). Silver copies come with a unique piece of art.
No download code. No digital version available.
Some links of live performances featuring early versions of this material: xc2xa0
Live at Dead Audio Fest, 2010:
Live at St. Petersburg Noise Fest, 2013
Live on WFMU (My Castle of Quiet, 2013, first track only)
https://freemusicarchive.org/music/Arvo ... et_282013/
https://freemusicarchive.org/music/Arvo ... et_282013/