Difference between revisions of "Ben Glas"
From NoiseWiki
Jump to navigationJump to search (Created page with "Ben Glas is an interdisciplinary sound and video artist working and residing in Portland, Oregon. Through his new media inspired work, Ben questions the cycles of human consci...") |
Noiseadmin (talk | contribs) |
||
| Line 1: | Line 1: | ||
Ben Glas is an interdisciplinary sound and video artist working and residing in Portland, Oregon. Through his new media inspired work, Ben questions the cycles of human consciousness in the Information Age. With the aide of sonic satiation, meditative repetition and sine wave tones, Ben approaches the underlying concepts of noise in a slightly experimental manner. His work features the mundane and the sensationalizing of the moment. Recorded rooms full of lunch eating persons, looped without a cutoff point- one sample feeds into the next, each sample is treated as its own occurrence, that then feeds back into the all encompassing frequency that is the composition itself. | Ben Glas is an interdisciplinary sound and video artist working and residing in Portland, Oregon. Through his new media inspired work, Ben questions the cycles of human consciousness in the Information Age. With the aide of sonic satiation, meditative repetition and sine wave tones, Ben approaches the underlying concepts of noise in a slightly experimental manner. His work features the mundane and the sensationalizing of the moment. Recorded rooms full of lunch eating persons, looped without a cutoff point- one sample feeds into the next, each sample is treated as its own occurrence, that then feeds back into the all encompassing frequency that is the composition itself. | ||
| + | |||
| + | [[category:Noise]] | ||
Latest revision as of 09:32, 3 July 2015
Ben Glas is an interdisciplinary sound and video artist working and residing in Portland, Oregon. Through his new media inspired work, Ben questions the cycles of human consciousness in the Information Age. With the aide of sonic satiation, meditative repetition and sine wave tones, Ben approaches the underlying concepts of noise in a slightly experimental manner. His work features the mundane and the sensationalizing of the moment. Recorded rooms full of lunch eating persons, looped without a cutoff point- one sample feeds into the next, each sample is treated as its own occurrence, that then feeds back into the all encompassing frequency that is the composition itself.
