Lol.. yeah it makes more "sense" that you need all this to understand the "meaning" of the work. If it were truly "meaningless" you would not do anything to explain it because there would be nothing to explain. Now.. when one encounters a HNW and somebody asks what it is you know what it is and what the meaning of it is.. the meaning is "meaninglessness".JLIAT wrote: ↑Sat Jan 18, 2020 5:36 am I think in the case of Vomir the statements and performance however makes more sense in a explanation that accepts his statements. And builds on them. His negative refusals, chime with elements of Minimalism. The denial in his case of the tropes of 'music'. Which at the start of this I mentioned, as in duration being unimportant. (That there is duration not withstanding). As others have said, the need even to hear some noise works. I cited Hegarty, and TNB. I'm sure there are others.
GEORGE: So, what's happening with the TV show? You come up with anything?
JERRY: No, nothing.
GEORGE: Why don't they have salsa on the table?
JERRY: What do you need salsa for?
GEORGE: Salsa is now the number one condiment in America.
JERRY: You know why? Because people like to say "salsa." "Excuse me, do
you have salsa?" "We need more salsa." "Where is the salsa? No salsa?"
GEORGE: You know it must be impossible for a Spanish person to order
seltzer and not get salsa. (Angry) "I wanted seltzer, not salsa."
JERRY: "Don't you know the difference between seltzer and salsa?? You
have the seltezer after the salsa!"
GEORGE: See, this should be a show. This is the show.
JERRY: What?
GEORGE: This. Just talking.
JERRY: (dismissing) Yeah, right.
GEORGE: I'm really serious. I think that's a good idea.
JERRY: Just talking? Well what's the show about?
GEORGE: It's about nothing.
JERRY: No story?
GEORGE: No forget the story.
JERRY: You've got to have a story.
GEORGE: Who says you gotta have a story? Remember when we were waiting for,
for that table in that Chinese restaurant that time? That could be a TV
show.
JERRY: And who is on the show? Who are the characters?
GEORGE: I could be a character.
JERRY: You?
GEORGE: Yeah. You could base a character on me.
JERRY: So, on the show, there's a character named George Costanza?
GEORGE: Yeah. There's something wrong with that? I'm a character. People are always saying to me, "You know you're a quite a character."
JERRY: And who else is on the show?
GEORGE: Elaine could be a character. Kramer..
JERRY: Now he's a character. (Pause) So everybody I know is a character on the show.
GEORGE: Right.
JERRY: And it's about nothing?
GEORGE: Absolutely nothing.
JERRY: So you're saying, I go in to NBC, and tell them I got this idea for a show about nothing.
GEORGE: We go into NBC.
JERRY: "We"? Since when are you a writer?
GEORGE: (Scoffs) Writer. We're talking about a sit-com.
JERRY: You want to go with me to NBC?
GEORGE: Yeah. I think we really go something here.
JERRY: What do we got?
GEORGE: An idea.
JERRY: What idea?
GEORGE: An idea for the show.
JERRY: I still don't know what the idea is.
GEORGE: It's about nothing.
JERRY: Right.
GEORGE: Everybody's doing something, we'll do nothing.
JERRY: So, we go into NBC, we tell them we've got an idea for a show about nothing.
GEORGE: Exactly.
JERRY: They say, "What's your show about?" I say, "Nothing."
GEORGE: There you go.
(A moment passes)
JERRY: (Nodding) I think you may have something there.